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FF Classic Prime Line Sigma Cine 65mm T2.5 FF Classic FF Classic Prime Line has implemented newly developed coatings on the glass elements and offers consistent T value a...
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Sigma Cine 65mm T2.5 FF Classic
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FF Classic Prime Line Sigma Cine 65mm T2.5 FF Classic FF Classic Prime Line has implemented newly developed coatings on the glass elements and offers consistent T value across the lineup (14mm and 135mm at T3.2 and the rest of the lenses at T2.5). This will greatly contribute to the effective workflow in postproduction. Furthermore, it is compatible with the communication protocol of Cooke “/i Technology”, thus an ideal tool for shooting and editing with the latest technology, such as VFX. A special coating is implemented on the front and rear elements so that the lens durability is ensured as with all other cine lenses from Sigma.“Classic Art Prime” is a new solution from Sigma that is required for the most advanced technology for classical expression. The “look” that FF Classic Prime Line can offer will enable cinematographers to explore new possibilities in movie creation. 43.3mm coverage T2.5 aperture 8K resolution 180° focus throw 1500g in weight 95mm diameter 82mm filter size 65cm min focus Mount: PL-i Specifications SPECIFICATIONDETAILSFocal Length65 mmApertureT2.5 - T25Number of Diaphragm Blades9 (Rounded diaphragm)Minimum Focusing Distance0.65 m / 2'2Magnification Ratio1:7.9Image CircleFF ?43.3 mmFront Diameter95 mm / 3.7”Filter sizeM 86 x 1.0 mmLengthPL Mount (/i Technology compatible): 120.6 mm / 4.8”WeightPL Mount (/i Technology compatible): 1.6 kg / 3.4 lbFF31.0°S3521.4°APS-C20.7°Edition Number023 Optical design MTF charts Downloads SIGMA Cine lens brochure Technical glossary AFL button Found on the barrel of some Sigma lenses, this button can be assigned to various functions to widen the range of operations available on the lens (available functions depend on the camera model). Aperture ring Allows users to change aperture using the lens rather than the camera. The ‘Auto’ button on the ring switches aperture control to the camera. Aperture Ring Click switch Some lenses with an aperture ring have a click switch, which allows users to remove the ring’s clicking action. This means the aperture can be changed completely seamlessly rather than in stepped 1/3-stop increments. The function is ideal for film-makers. Aperture Ring Lock switch This switch locks the aperture ring in either manual or auto, ensuring it can’t get knocked out of position when shooting. Art One of the three lines of Global Vision lenses. The Art range includes a mixture of primes and zooms, which boast fast apertures, superb optics and exceptional build quality. Aspherical lens A type of lens element found in most Sigma lenses. Aspherical elements compensate for spherical aberration and distortion, which cannot be completely eliminated using conventional spherical lens elements alone. They are also key to reducing the size and weight of high-power zooms and other large lenses while improving image quality. Hybrid aspherical elements are made by bonding two elements together, one of which is glass and one of which is a polymer. Precision-molded glass aspherical elements are made by direct forming. Brass bayonet mount All Sigma lenses have a brass mount. It combines high precision with rugged construction and its treated surfaces and enhanced strength contribute to the long-term durability of the lens. CFRP (Carbon Fibre Reinforced Plastic) A light but strong material used on some Sigma lenses. It is also used in the interior and exterior fittings of aircraft, among many other applications. Contemporary Designed with size and weight in mind, these highly portable primes and zooms are designed for photographers who need to travel light, but without sacrificing image quality. Contemporary lenses typically don’t have such wide maximum apertures as Art lenses in order to keep their weight down, but do not compromise on optical performance. The I series range is part of the Contemporary line-up, sporting have an all-metal build and a manual aperture ring. DC Designed for crop-sensor cameras. They can also be used on full-frame bodies, but only in crop mode. DN Designed specifically for mirrorless cameras. Some non-DN lenses also fit mirrorless cameras, but these were designed originally for DSLRs and later adapted. DN lenses tend to be smaller and lighter. Dual Action Zoom This is found on some longer Sigma lenses, such as the 60-600mm F4.5-6.3 DG DN OS | Sports. It allows the user to zoom either by turning the zoom ring, which is very accurate, or by pus
