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A Poetry Book Society Recommendation Shortlisted for the Forward Prize for Best First Collection Shortlisted for the T. S. Eliot Prize for PoetryUpdated edition, with a n...
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A Poetry Book Society Recommendation Shortlisted for the Forward Prize for Best First Collection Shortlisted for the T. S. Eliot Prize for PoetryUpdated edition, with a new poem and a new essay by Ella, on poetry and process&apos&aposFizzing with insistent energy . . . full of crystalline images and metaphors . . . Frears is excellent on sexual politics, the end of girlhood&apos&apos Guardian Ella Frears&apos&aposs debut is a collection of wry, vivid poems whose power lies in their intimacy. They are as insistent as they are circumspect, drawing close to the reader&apos&aposs ear and bringing them into confidence. The engine of Shine, Darling is one of strength, of fortitude in confronting and surviving the world, of a lifted-chin audacity - &apos&aposThere was pain,&apos&apos the speaker allows, &apos&aposbut it was not new pain.&apos&apos Frears&apos&aposs work is world-weathered rather than world-weary, delighted by service stations, fucking on bins in Cornwall, in constant communion with the moon. It lives for the power-play of people, of the pull of the sea, the smoky air - &apos&aposStormy, sticky with flies&apos&apos - and tangled underbrush where the land ends. Her characters test each other, experimenting with the boundaries of physical violence, of punishment, of traps, all the while drawing the reader into a complicity that gives these poems all their daring, electrifying muscularity. In Shine, Darling, the desire to expose and disclose wrestles with defence and defiance. The result is exhilarating, a &apos&aposglorious full-bodied&apos&apos debut collection with the draw of an adamant tide.