Sigma Cine 24-35mm T2.2 FF - Sony E-mount - Normal
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FF Zoom LineSigma Cine 24-35mm T2.2 FF6K-8K class resolutionThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photogra...
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FF Zoom LineSigma Cine 24-35mm T2.2 FF6K-8K class resolutionThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher resolution shooting, and are ideal for chroma keying as well.Lightweight and compactLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.Dust-proof and splash-proof constructionThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM I Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.100% metal bodyThe body is made completely of metal to stand up to tough professional use over the long term.Luminous paint for enhanced visibilityThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.EF mount, E-mount, and PL /i mount availableThe lenses are available in Canon EF mount, which is used on the majority of digital movie cameras, Sony E-mount, which is used on the Sony FS series and PL /i mount, which is prevalent on cinema cameras. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding still camera videography.*24-35mm T2.2 FF not available with PL mount95mm front diameterThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA's cine lenses are more lightweight and compact.180° focus rotational angleAt 180° the rotational angle of the focus ring is more than double that of a still camera lenses, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.43.3mmcoverageT2.2aperture8Kresolution180°focus throw1450gin weight95mmdiameter82mmfilter size27cmmin focusMount: Canon EF | Sony ESpecificationsSPECIFICATIONDETAILSFocal Length24-35 mmApertureT2.2 - T16Number of Diaphragm Blades9 (Rounded diaphragm)Minimum Focusing Distance0.28 m / 11”Magnification Ratio1:4.4Image CircleFF ?43.3 mmFront Diameter95 mm / 3.7”Filter sizeM 82 x 0.75 mmLengthSony E-mount: 148.7 mm / 5.9”Canon EF mount: 122.7 mm / 4.9”WeightSony E-mount: 1.6 kg / 3.4 lbCanon EF mount: 1.5 kg / 3.2 lbFF73.7° - 54.4°S3554.3° - 38.7°APS-C52.6° - 37.4°Edition Number017Optical designMTF chartsDownloads SIGMA Cine lens brochure Dimensional drawing Lens illumination guide Technical specificationsTechnical glossaryAFL buttonFound on the barrel of some Sigma lenses, this button can be assigned to various functions to widen the range of operations available on the lens (available functions depend on the camera model).Aperture ringAllows users to change aperture using the lens rather than the camera. The ‘Auto’ button on the ring switches aperture control to the camera.Aperture Ring Click switchSome lenses with an aperture ring have a click switch, which allows users to remove the ring’s clicking action. This means the aperture can be changed completely seamlessly rather than in stepped 1/3-stop increments. The function is ideal for film-makers.Aperture Ring Lock switchThis switch locks the aperture ring in either manual or auto, ensuring it can’t get knocked out of position when shooting.ArtOne of the three lines of Global Vision lenses. The Art range includes a mixture of primes and zooms, which boast fast apertures, superb optics and exceptional build quality.Aspherical lensA type of lens element found in most Sigma lenses. Aspherical elements compensate for spherical aberration and distortion, which cannot be completely eliminated using conventional spherical lens elements alone. They are also key to reducing the size and weight of high-power zooms and other large lenses while improving image quality. Hybrid aspherical elements are made by bonding two elements together, one of which i
