Sigma Cine 18-35mm T2 + 50-100mm T2 Set with case - Sony E-mount - FL
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High Speed Zoom SetsSigma Cine 18-35mm T2 + 50-100mm T2 Set with caseThe Sigma Cine 18-35mm T2 and 50-100mm T2: high-performance zoom lenses designed for Super 35mm forma...
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High Speed Zoom SetsSigma Cine 18-35mm T2 + 50-100mm T2 Set with caseThe Sigma Cine 18-35mm T2 and 50-100mm T2: high-performance zoom lenses designed for Super 35mm format cameras, offering exceptional resolution suitable for 6K-8K recording.With a constant T2 brightness throughout the zoom range and a 180o focus rotation, they ensures precise control and outstanding low-light performance.Despite their superior optical capabilities, they maintain a compact design, making them highly versatile for various shooting environments.Built with standardized essentials like gear position, color correction, filter size, and front diameter, they are available in Canon EF, Sony E-mount, and PL mounts, and proudly made in Japan.S35coverageT2aperture8Kresolution180°focus throw1395gin weight95mmdiameter82mmfilter size28cmmin focusS35coverageT2aperture8Kresolution180°focus throw1830gin weight95mmdiameter82mmfilter size95cmmin focusMount: Canon EF | Sony E | PLSpecifications: 18-35mm T2More information here.SPECIFICATIONDETAILSFocal Length18-35 mmApertureT2.0 - T16Number of Diaphragm Blades9 (Rounded diaphragm)Minimum Focusing Distance0.28 m / 11”Magnification Ratio1:4.3Image CircleS35 Digital ?28.4 mmFront Diameter-Filter sizeM 82 x 0.75 mmLengthPL Mount: 121.5 mm / 4.8”Sony E-mount: 155.5 mm / 6.2”Canon EF mount: 129.5 mm / 5.1”WeightPL Mount: 1.4 kg / 3.1 lbSony E-mount: 1.6 kg / 3.4 lbCanon EF mount: 1.5 kg / 3.3 lbFF-S3568.7° - 38.7°APS-C66.7° - 37.4°Edition Number016Specifications: 50-100mm T2More information here.SPECIFICATIONDETAILSFocal Length50-100 mmApertureT2.0 - T16Number of Diaphragm Blades9 (Rounded diaphragm)Minimum Focusing Distance0.95 m / 3'2Magnification Ratio1:6.7Image CircleS35 Digital ?28.4 mmFront Diameter-Filter sizeM 82 x 0.75 mmLengthPL Mount: 167.2 mm / 6.6”Sony E-mount: 201.2 mm / 8”Canon EF mount: 175.2 mm / 6.9”WeightPL Mount: 1.9 kg / 4.1 lbSony E-mount: 2 kg / 4.3 lbCanon EF mount: 1.9 kg / 4.2 lbFF-S3527.6° - 14.0°APS-C26.7° - 13.5°Edition Number016Downloads SIGMA Cine lens brochureTechnical glossaryAFL buttonFound on the barrel of some Sigma lenses, this button can be assigned to various functions to widen the range of operations available on the lens (available functions depend on the camera model).Aperture ringAllows users to change aperture using the lens rather than the camera. The ‘Auto’ button on the ring switches aperture control to the camera.Aperture Ring Click switchSome lenses with an aperture ring have a click switch, which allows users to remove the ring’s clicking action. This means the aperture can be changed completely seamlessly rather than in stepped 1/3-stop increments. The function is ideal for film-makers.Aperture Ring Lock switchThis switch locks the aperture ring in either manual or auto, ensuring it can’t get knocked out of position when shooting.ArtOne of the three lines of Global Vision lenses. The Art range includes a mixture of primes and zooms, which boast fast apertures, superb optics and exceptional build quality.Aspherical lensA type of lens element found in most Sigma lenses. Aspherical elements compensate for spherical aberration and distortion, which cannot be completely eliminated using conventional spherical lens elements alone. They are also key to reducing the size and weight of high-power zooms and other large lenses while improving image quality. Hybrid aspherical elements are made by bonding two elements together, one of which is glass and one of which is a polymer. Precision-molded glass aspherical elements are made by direct forming.Brass bayonet mountAll Sigma lenses have a brass mount. It combines high precision with rugged construction and its treated surfaces and enhanced strength contribute to the long-term durability of the lens.CFRP (Carbon Fibre Reinforced Plastic)A light but strong material used on some Sigma lenses. It is also used in the interior and exterior fittings of aircraft, among many other applications.ContemporaryDesigned with size and weight in mind, these highly portable primes and zooms are designed for photographers who need to travel light, but without sacrificing image quality. Contemporary lenses typically don’t have such wide maximum apertures as Art lenses in order to keep their weight down, but do not compromise on optical performance. The I series range is part of the Contemporary line-up, sporting have an all-metal build and a manual aperture ring.DCDesigned for crop-sensor cameras. They can also be used on full-frame bodie
